Today, we are with Jennifer Mathieu, the author of the remarkable book The Truth About Alice. Here’s a bit about the book:
Hi Jennifer, thanks for being with us on the Fearless Fifteeners blog.
I really enjoyed the use of alternating perspectives in your book. Not everyone can do this well but you managed to create four distinct voices and a real need for the story to have all four. What was this process like for you? Did you write the book the way it appears, alternating narrators chapter by chapter, or did you write each character’s narratives and then split them up?
Thank you so much for having me. I’m glad the voices felt distinct! The story evolved over many drafts. Kelsie is actually the product of two different characters I blended together, and there was another girl – another outcast who didn’t fit in as neatly into the plot – that I removed after the first draft. It was just too many characters to keep track of, so I narrowed it down. But once I got my four main characters down their voices just came to me. I switched on and off from character to character as I wrote which was a lot of fun and kept the writing process fresh for me. I’d never written in a boy’s voice before, and I’m still surprised at how easily Josh and Kurt’s voices – especially Josh’s voice – came to me! I guess it comes from teaching high school boys for a living. 🙂
Was it always written in multiple perspectives? Did the character of Alice come to you first, the situation or one of the other characters?
Yes, I always planned to write it in multiple perspectives. I love books with alternating points of view, and I love stories where you put the pieces of the puzzle together over time. The initial kernel of Alice’s story came to me first and then the other characters’ stories evolved from there. A huge influence for the idea is the Spoon River Anthology by Edgar Lee Masters. I read it in high school for a drama class and it stayed with me. It’s a series of epitaphs from residents in a small town, and as you read each epitaph you put together all these stories and understand what made the town tick and how the residents were connected to one another.
Was one of the character’s voices easier for you to write? One harder?
Kurt’s voice came to me quite easily. Maybe because I was pretty bookish in high school although I wasn’t a total social outcast. I just loved writing him and cheered him on the entire time. The hardest was Elaine. It took me a while to fully understand her motivations. The scene with her and Alice in the hair salon was one of the last scenes I wrote and it took the most time to get the tone just right. Even I’m a little afraid of Elaine O’Dea. 😉
I like how the book begins: Elaine listing the facts of the drama. We get a real strong sense of who she is off the bat. Some of the characters in your book do some pretty unlikeable things. You do a good job of off-setting this by using backstory and character depth. Did you struggle with the likability of your characters?
This is something some readers may hate, but I love my characters, even when they’re doing awful things. I love them so much. I know they do terrible things, but something I tried to do was give each character humanity. They do awful things because they’re young and under pressure and some – like Kelsie – have these wildly difficult situations at home that they can’t even name much less deal with. But I felt for them so much. My heart broke for all of them. I’ve read comments online with some readers saying they hate Kelsie, and I’m like, “But can’t you see what she’s been through? Can’t you see how she’s suffered?” I know Alice suffered, too, tremendously. But all the characters suffered in one way or another. One quote that kept running through my mind as I wrote this story – and I’m not sure who said it – is that everyone has a story inside of them that if you only heard it, it would break your heart. I think if we all treated each other with that knowledge in that front of our minds – that everyone is going through something personal and painful – we would all be nicer to each other. Obviously characters like Kelsie and Josh struggle in following that advice, but that doesn’t mean that they themselves are immune from that saying. They are struggling, too, and enormously so.
Bullying is a core issue in this book. Is that a topic you feel strongly about?
As a mother, teacher, and human being, of course. But I don’t think the way we’ve addressed bullying is really very smart. I could write an entire essay on this, but bullying rarely takes place like we see on the movies with the nerd being stuffed in the locker. And not every tough situation a young person endures with friends is necessarily bullying. I would rather we eliminate the word bullying or stop using it to label everything negative and instead just focus on being kind to each other and providing young people with resources, including trusted adults, that they can really talk to when they’re feeling down, under pressure, or isolated.
The football-obsessed, small-town Texas setting seems vital to this story. Do you think Alice’s story would be different if it took place somewhere else?
I do think girls are labeled sluts regardless of where they live. Like Elaine says toward the end, she knows that even in a place like New York City, a girl like Alice would still have been called a slut. What makes the setting important in this story, I think, is that the fishbowl environment of the small town just heightens everything and makes it even more intense and difficult for the characters living there.
And now, because we are community that is fearless, please name something that you are afraid of and something you are not afraid of.
I’m very afraid of small spaces and had difficulty riding elevators for a few years. Something I’m not afraid of that seems to put others into a panic is speaking in front of crowds. I actually sort of enjoy it! I think my years as a teacher have helped me there. 🙂
Thanks so much!
Thank you! I loved your questions!
Jennifer Mathieu (pronounced Muh-two, but if you speak French you can pronounce it better than that) is a writer and English teacher who lives in Texas with her husband and son. A native of the East Coast and a former journalist, Jennifer enjoys writing contemporary young adult fiction that treats teenagers like real people. She loves to eat and hates to cook.
|Cordelia Allen Jensen graduated with a MFA in Writing for Children & Young Adults from Vermont College of Fine Arts in 2012. Cordelia’s YA Novel in Verse, SKYSCRAPING, is forthcoming from Philomel/Penguin in early 2015. Cordelia was Poet Laureate of Perry County in 2006 & 2007. She’s a Writer in Residence at The Big Blue Marble Bookstore in Philadelphia where she teaches creative writing classes for kids & teens and does author interviews for their blog. Cordelia is represented by Sara Crowe of Harvey Klinger, Inc. You can find her at www.cordeliajensen.com and on Twitter @cordeliajensen|